I'd rather squarely bet on the present, mainly because the Blast does seem to have plunged everywhere outside Falconia and Elfhelm into total chaos (just judging by the spreads in Volume 34), and if the Jötunn and Trolls are anything to go by, it's not pretty for anyone not already under...
Y no Chicken Apostle at G for Goofball tier???:judo:
That was a hoot. I was expecting some kind of fake out at the end, but nope. Just quality tier listing. :ganishka:
Holy Christ, what a disgusting trashfire. Walter, you're doing God's work reading through that pile. Your pains have not gone unappreciated :azan::puck:
Edit: Just got back from browsing the "official" (I guess) Berserk subreddit, and apart from the usual idiocy, the first post to mention the...
It's strange. I'm actually kinda bummed out that we might not be spending much time with Griffith and Co. after all. I was hoping for a real look at all the dynamics of life in Falconia (or a look at Rickert among the Bakiraka). That isn't to say I'm not excited about potential developments on...
Spotted Dark Horse's release at my local Forbidden Planet.The age of darkness has finally arrived! :magni:
Strangely, Miura's co-credited almost as if he and Fukami wrote it together rather than Miura just doing the illustrations.
Fair enough, I didn't take account of the sheer difference in scale.
Still, given that, as you said, Noa and Futatabi are "early years" works, it would be somewhat interesting to see Miura fully revisit that genre. Might it be something like Gigantomakhia (if not an outright continuation) or...
If Miura's post-Berserk project is Sci-Fi (and admittedly, that's a big if), then that would actually make Berserk something of a standout in a body of work (Noa, Futatabi, Gigantomakhia) that's dominated by Sci-Fi. Obviously that's not counting the stuff he illustrated for Buronson, but it's...