Hey all, I'll respond in this post - but if further discussion needs to happen maybe we should keep it out of the review thread?
Also, this looks like an Aaz post!
Walter said:
And didn't do much else...
Which is fine - they got the main meat of the story in. It moved fast but was otherwise there.
Really? Even moreso than the removal of the Griffith/boy soldier scene, Bonfire of Dreams, Queen Assassination, etc? That's surprising to me. Gennon was always a means to an end in the series. He's a vehicle to show how far Griffith will go. But he had some key scenes tangentially related to him, such as when Casca sees Griffith on the morning after. And that, of course, is missing, and missed. But I didn't feel that us not seeing Griffith up on that balcony with Gennon's arm around him was a truly missed element. Afterall, in this version we get Gennon groping Griffith's thighs. That's something... right?
Bonfire of dreams is the only one I would agree with here - but only in the sense that it would have been a nice addition. Otherwise, Casca early on in the forest asks Guts what he fights for, and before she leaves he says 'I'll think about what you asked me,' and there are several bits throughout that imply he is going to leave afterward. Ultimately the same point gets across despite the changes to the narrative and how it focuses pretty heavily on the Griffith speech.
Boy soldier scene and the Queen were largely inconsequential overall to me.
The Gennon scene should have had a little more setup prior to the fight I think is all to imply some sort of history, rather than it just coming out right before his death. And Griffith made it crystal clear that he had been a means to an end anyway.
As well as any emotional gravity whatsoever that they've failed to instill in the other members of the Falcons. Not to mention the time compression issues they're going to have with so much ground to cover. I think it will be miraculous if the movie comes across as coherent.
I do agree with the the part about the other members during the Eclipse. Based on how this movie went though, Judeau won't get much, but ironically Carcus will probably get the best lines, animation, etc. They do have what, another 40 minutes in the third movie? They may pull it off.
...You did see the Griffith/Charlotte scene in Movie 2, right? Expect full-on, Ali G-style "I Wanna See It ... Goin In" action for Femto's debut.
Yeah I am expecting this, but I maintain some hope!
Honestly, if this same studio is going to attempt to animate other sequences in the series, I'd rather not have it at all. Having them animated as a novelty is worth utterly nothing to me. It has to represent the spirit of the series in order to it to matter. And so far this adaptation has merely been going through the motions.
Like I said previously, I think this is the crux for most fans - this is YET ANOTHER adaptation of material we have seen before. If this were the first time this part of the story was being done, I really think people would give it more of a fair shake.
Griffith said:
Et tu, Cronus? Anyway, the trick is to always see the movie first, alas... I guess I'll take this opportunity to engage your points and share some of my counters to these sentiments, sorry to pick on you.
BRING IT!
I'm going to hold you to this, though context is a little tricky because many of the limitations the filmmakers faced were ones they gave themselves with bad planning/decision-making from the outset. Far different than making the best of limitations imposed on them. That's just doing a bad job, so I don't think it's fair to give it a passing grade based on the fact that they set out to do something that couldn't be that good in the first place. It's like an essay where 20 pages are required to do the subject justice, but they decided to only do 5. That just made it all the more disappointing from the start.
But 20 pages are not required to do it
justice in my opinion. Film/Animation is a totally different ballgame from drawing panels over years of practice and the author's affection in his characters. I recognize that but by itself, I felt the movie was well done and carried the spirit over.
By what definition, 51%? I'm not even sure it reached that threshold if you consider everything that was removed, unless we adhere to their criteria of what's important: 100 Man Fight, Doldery, Ball, Duel, Sex and Aftermath. Basically everything not told through action doesn't count, and then there's the stuff removed from within those scenes, some of which was the actual point/emotional payoff of the scene, leaving us watching a lot of motion without action (at least it seemed to me).
The action was definitely the main vehicle for the character development, I agree. A different take but not done poorly.
Let's go over these and I'll explain my reasoning for said plot points:
100 Man Fight: Important in the movie for different reasons. Instead of it being focused on Guts discovering his obsession with the sword, it became a catalyst for him leaving; he was tired of being Griffith's slave. It also served as a basis for Guts/Casca's relationship to happen in the next film. In the manga when they find him passed out, she wanted him to be alive so she wouldn't feel guilty about abandoning him while she ran; in the film it's complete relief that Guts is alive at all. I think that is a marked difference. Also, they even covered how Guts essentially gets into the zone anyway with his final bits of internal monologue so the fight was 'covered' in its most important aspects.
Doldrey: This played out almost entirely the same as the manga, the backstory of Gennon and his lust for Griffith just didn't make sense until his final moments. Griffith ends the 100 year war, it's a big deal. Zodd throwing the sword is not critical here AT ALL. The Boscogne fight was good too, it definitely showed that he was pretty much an even match for Guts. The flag throw wasn't nearly as bad as I had heard. A little odd, but I think it shows how resourceful Guts is as a fighter and what sets him apart. He also ended up using the same terrain advantage Griffith used in his strategy to take the castle (the dust) and thus win the fight. Similarly, I enjoyed Casca's fight with Adon here. Three different battles here, all relevant. This is the best part of the movie.
The Ball: The Hawks come back and they're made nobles. For pretty much everyone, everything they worked so hard on has come to this. Guts/Casca chat further about his future and she realizes he is going to leave. Guts realizes it's the best time to leave because to him, Griffith has actually achieved everything he set out to do. Guts wants to be his friend and thus his equal. The dance scenes were new but ultimately the message is conveyed that they have done it. Guts/Casca have a dance for a little relief, you get to see a normally serious character kind of cut loose a bit. I see this scene overall as more of a tragedy waiting to happen rather than the political drama it was in the manga.
The Duel: I can't really recall having any problems with the duel. Other than a bit of missing internal dialogue from the manga, everything else was clear. Casca's feelings are pretty clear at this point.
Bangfest 2012: Griffith, having lost control of what really got him where he was today, decided he needed to immediately control what was going to get him to his ultimate goal which was Charlotte. It was more of a hate fuck, trying to prove he was still in control of
something. This scene got more air time because this is literally where the descent starts, and it merits having a bit more attention to it. The aftermath is done well too.
They're missing Casca's and Griffith's respective back stories
It's clear Griffith is a commoner who leads a special group. That's all you really need to know.
Casca's story is missing now that I think about it, so good point there. But I don't think it is a GLARING OMISSION from the movie. It might come up in the next movie, though.
along with Gennon's relationship to Griff
Well, it was touched on
Casca's relationship to Griff, her's to Guts
Casca is pretty clear early on what she think of Griffith and what she wants. During the ball scene, her jealousy is distinct.
Her's to Guts is still forming but it is pretty much all there.
and the Bonfire of Dreams scene, which also contained Guts' true perspective relating to... well shit, one just rolls into the next, do I even need to get into the specifics of the assassination plots and everything else that in many cases were needlessly altered, dumbed down or dumped so we could have some added seconds of Griffith eating Charlotte out (in the words of Tim & Eric, "Good job!")? Anyway, there's a trend there, and I'll just say it doesn't strike me as objectively "good" on its merits as an adaptation to cut virtually all of the unique characterization beyond happy/sad/love/hate.
Those scenes by and large don't matter or don't warrant the time on screen to convey their point.
Think of how much better this could have been on its own terms. How much more of the source material it could have effectively integrated but didn't, and arbitrarily in many cases. I can imagine it being much, much better without even altering the run times. Despite the the self-imposed limitations they were working under, there's still plenty of obvious fat and wasted time/opportunities.
I disagree. I think they made choices to broaden the appeal of Berserk to people who had no prior knowledge of it. Few people go to see a movie where there is a whole lot of political shit talking, and Berserk is marketed as a fantasy war movie. They conveyed the story in a different way and within different constraints. I for one am glad because who honestly wants to see every single detail put on the big screen exactly in the same way as Miura did it his books? I cannot possibly see how they could have added everything people seem to collectively 'want' and not alter the run time significantly. If I could pick one scene from the manga that I would have liked to see, it would be the bonfire of dreams. Past that, not much else matters.
Superior in what sense though? That it would make the rape more comfortable to watch, more palatable? I mean that in the least snotty way possible, obviously it's way over the top to the point of being disgusting and disturbing, but that is the point. I can't think of a more controversial scene in the series, risky too, with the reputation of the entire work hinging on how one takes it. So, while I don't enjoy looking at it any more than you do, that is a testament to its effectiveness, and I don't think lessening that effect would make it superior.
I guess what I mean is - I'd like it to focus more on Guts' reactions to what is happening and his fight to free himself to attempt to save her, and focus on Femto's glare of "I'm a GOD now, bitch!" rather than the total obscenity of Casca being pounded on.
But I think now that I basically am asking them to make the scene less graphic because I think it's already going to be off the charts even compared to the manga. That was me just thinking out loud and considering how the third movie will be.
REQUEST DENIED
HAHA! Don't judge me on posts I made literally 10 years ago here! I was an angry youth!
Can we hate on the films for all the things they do poorly that they easily could have done better in the context of a film, let alone a long term project? Can Berserk fans be disappointed that instead of a great, or at least meticulous adaptation, which isn't impossible or unheard of in anime, we have to settle for the best Studio 4C can cram into arbitrary 90 minute chunks, which is highly questionable as it is? Can we be upset that they're sacrificing almost all the meaningful characterization that makes the series special in favor of emphasizing sex, violence, stupidity and reducing Berserk to its basest form? I don't think those beefs amount to nitpicking, over-examination or sour grapes, but fundamental disagreements with the overall purpose and execution of this project. Maybe some of the more forgiving types here that aren't paying much mind to that should try examining it a bit more. That's what we're here for.
Yeah, we can all do that. I just think it is worth stepping back a minute and asking who this trilogy is for. I feel if you're a diehard Berserk fan, these movies aren't really for you.
Whatever they do in the films and whatever your opinion of them, they do not affect or change the manga. And if a person sees these movies and is impatient to know more, as many of us did when the TV series first came out, point them to the manga.
But this is ultimately about the movies themselves, and I feel like I was able to separate it from the manga and give it a fair shake, and I liked it.
P.S. Big old school staying-up-way-too-late-to-write post for you, Cronus.
I'm honored!
This is a pretty big post, so if people want to talk about it further maybe it should be in PMs - I just want to make sure I'm not threadshitting.