NeaR said:
@ Walt and Griffith, what were your reactions to Pinkerton when it came out, being so different from Blue album. Did you guys dislike it or what?
I don't think anyone knew what to make of it at the time. That's not to say that it was some inconceivable, high-concept album. It's actually sophomoric in the best way possible
(and a sophomore record, perfect!).
I should preface this by saying that I really liked Blue. I was about 13 when it came out, and it was the first CD I bought. I nearly memorized the thing on long road trips. I was preconditioned to like almost anything they'd do after that. Everyone was expecting Blue Album II. Obviously we didn't get that. We got something weirder and wilder.
The first time I heard a clip of Pinkerton was in a brief advertisement on TV for its upcoming release. Yes, this was what life was like in the early days of the Internet. It was the last 10-sec bit of chorus from El Scorcho
(this exact bit right here). I dug it, but it definitely caught me off guard. Try to imagine that little bit coming out of the blue. Sounded pretty wonky. I needed to hear more. So, I bought Pinkerton as soon as it was out. I didn't love it, but I probably listened to it over and over and over for weeks. Most kids my age were.
Nobody really
loved it, from what I remember. But there was something to it that kept it in your head.
For that era of music, I think its central weakness was no one could latch onto a solid "single." The whole album kind of melts together in this big ejaculation of teenaged, sexual angst
(as emulated by a guy in his late 20s; who would go on to continue to emulate these feelings well into his 30s.
). It has an atmosphere to it, even if it's one that feels a little sullen and pouty when I look back on it as an adult. But it's solid. Blue feels almost piecemeal, or a la carte by comparison. Achieving higher highs, but lacking cohesion.
Now that I've written all this nonsense out, I think I probably like Pinkerton a little more now, with Blue's impact mostly resonating from nostalgia. So there's my underdog vote.
Ultimately, I don't think my opinion is very unique. I grew to appreciate it more over time. I revisited it after the Green album came out like a wet fart and suddenly Pinkerton's greatness was crystalized by comparison. From there, its stature grew perhaps because it does still hold up to scrutiny unlike a ton of music from that era.
Holy crap, I ended up writing a lot about this...