I look forward Star Wars Rogue One and i don´t care about the re-shoot "controversy". Disney 100% saved the franchise and the "editorial drive" keeps the comic (and to a lesser degree novel) quality very high. The 1977 original was being re-edit while it still was in the cinemas. All this web-journalism microanalysis is turning toxic if you ask me...
The usual comics stuff is on the horizon. Flash landed an A+ director and the most interesting DCEU film from the announced ones is JLA 2. Snyder and Kirby´s New Gods are a match made in heaven!
The competition´s 2nd trailer for Sherlock Strange looked juicy indeed too, shocking so. I was a bit afraid after the heavy 2015 studio restructuring and my narrative problems with Cap 3 but this looks like a winner, despite huge changes to lore.
@Hanma_Baki Let me try, i will simply list her "modern" runs: Her Post Crisis comic began in 1987 with
Gods and Mortals (the movie basis it seems) by
George Pérez. The part he wrote and drew was a top notch relaunch, the one he "only" wrote after 2 years petered out though. The stellar
2009 toon film is based on it too.
A mixed bag came in between (i liked her 90s replacement Artemis though) but
Phil Jimenez fixed that ship starting with
Gods of Gotham.
Greg Rucka (her most popular modern writer) started with
The Hiketeia GN and then did the proper comic until he left due to One Year Later (her time skip re-launch was crap).
The usually wonderful
Gail Simone then came to "fix" the book, starting with
The Circle. She had a fine run, but below expectations, and she also wrote the mentioned toon film, sequel please!
Brian Azzarello´s New52 re-launch was Diana´s best run yet, starting with
Blood. A pure masterpiece and an easy starting point. It´s basically Vertigo´s Sandman meets God of War! He left and the book fell apart, notice a theme. Her comic is a bit like Trek films. One good run follow a bad-ish run.
Greg Rucka is now back for
Rebirth and is
killing it. Every 2nd issue is a new Origin story to keep the bi-weekly deadlines. Very smart, she needed that streamlining.
The last 2 are self-contained and origins:
Grant Morrison´s new
Earth One GN is a return to the Gold Age version. Heaps of lesbian bondage and a heavy focus on the original 40s take on feminism.
The Legend of Wonder Woman by
Renae De Liz though is a concluded and WW2 based all-ages web-first comic. It´s very "young girl friendly" and nearly all her writers were men, as you saw. Both have phenomenal art too. Pick your poison, you got ALL the info one could need.
The Secret History of Wonder Woman is lastly a non-fiction book and explains itself. The Golden Age comic was
pure insanity and her creator was a man to behold too.
Her movie lastly looks great, especially due to Zack´s involvement to help Patty back on the horse, after her long break to be a mother first. He produces, wrote the outline and half his post-300 crew carried over. She lastly wanted to do the film since 2005:
http://www.ew.com/article/2016/07/16/wonder-woman-director-patty-jenkins?xid=entertainment-weekly_socialflow_twitter