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Messages - Lord Leith

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Podcast / Re: SkullKast: Episode 94
« on: April 02, 2018, 02:20:59 PM »
I wouldn't call it dead. More like, really, really, catatonically sleepy. If you prod it with a stick, it'll roll over but remain with its eyes closed.

So pretty much in the same state as Vegabond  :ganishka:

Great episode by the way guys, entertaining as always and a very funny one too.

Current Episodes / Re: Episode 355
« on: April 02, 2018, 02:11:10 PM »
Hello all,

Welcome to the forum fellow struggler  :badbone:

Current Episodes / Re: Episode 355
« on: March 24, 2018, 09:31:58 PM »
Well, if it was something he did all the time it wouldn't just be a mistake, and like I said, it's been 30 years! I mean, Miura and his poor scapegoated assistants are drawing a metric ton of shit and a lot of detail in it on a schedule, so there's going to be some inconsistencies akin to visual typos (and sometimes they even get corrected or redrawn in the volume releases, among other additions and changes).

But yeah, 30 years of material and relatively few inconsistencies, but they are there and ultimately we just have to accept them. Embrace and enjoy the wabi-sabi of Berserk! :guts: :miura: <(I meant to do that!)

Oh without a doubt! Miura is human after all so I'm sure its not beyond him or an assistant to make a mistake like that, it just seems like such a simple one (colouring) that I would never foresee it actually happening. Thankfully I never did notice Casca's boots, currently Im only at Vol 10 with my rereading so it'll take me a while to get back there but I'm sure it will bug me hahaha  :ganishka: but of course none of this is enough to stop my enjoyment of Berserk.

If it were any other series I'd expect more mistakes like this so its a testament to how amazing Berserk's quality is that lil things like this end up surprising me, its one of the closest things to a perfect piece of art (in regards to visuals and storytelling) in my opinion so my standards for it may be unfairly high. This episode being a perfect example of that, I haven't really expressed my opinion on it yet so I might as well.

Guts and Casca's chemistry and tumultuous love story has always been one of, if not my absolute favorite aspect of Berserk's plot. I love how the story progressed in spite of her losing her sanity and agency throughout the years and enjoyed arcs like Conviction or Millennium Falcon just as much as the Golden Age (in some ways, I've enjoyed them even more) but with that said, due to her state of mind I always looked back on the Golden Age fondly (like most fans) in a way that distinguishes it from the rest of the series.

The way this episode started, with Casca immediately greeting the others demonstrated said agency that she's been lacking, it reminds me of when Guts and Casca kissed and how it was she who leaned in first to kiss him, it made me so happy and yet also feel surreal to know that this is actually happening, I always knew it would but I expected to wait many more years and I feel blessed to have this moment now.

Her new dress did strike me as odd (albeit beautiful of course) considering her character but seeing her object to it added onto that nostalgia, further reminding me that this isn't Elaine anymore (a woman so oblivious that she needed help getting dressed, let alone being able to judge clothes for herself) but truly the warrior we've missed for 22 years...or personally in my case, approx 8 years.

All of this build up, both leading up to this episode and within it had me so excited but like you said Griff, it was almost as if Miura had rolled out a red carpet only to then pull it from under our feet, I suspected that it was too good to be true but I was still not ready to see Casca scream upon seeing Guts, only the future will let us know for sure what that reaction fully entails but as of now, it was both an amazing and surreal experience.

Miura as always pulled through and delivered us another monumental episode, Im enjoying the moment for what it is but with one of my favorite aspects of the series coming back to the forefront I cant help but be even more excited than usual for what the future has in store for us.

Current Episodes / Re: Episode 355
« on: March 24, 2018, 07:22:16 PM »
The cover must be from Casca's deluded point of view!  :troll:

 :ganishka: Okay despite the fact that I'd like an actual reason from somebody, I have to give it to ya, thats really funny haha

I won't continue rambling on about his hair or anything since it ultimately is pretty trivial but like I said I do take consistency seriously so Im a bit in disbelief at the notion that Miura would've given him black hair on the volume cover as a simple mistake, especially since he was also working on the guidebook where that mistake isn't present.

I apologize for sidetracking the thread here, Im aware that it was discussed before in the thread for Vol 39, its just that this episode's portrayal of Guts reminded me of said cover, which up until now I never analyzed too closely.

Current Episodes / Re: Episode 355
« on: March 24, 2018, 06:54:57 PM »
That idea is really misguided, too. Guts is wearing the Berserk Armor, has the Dragon Slayer. So much for seeing past Guts! It's a convoluted notion someone cooked up while trying to figure out why they can't quite see Guts' white streak (it's in shadow, like half of his head). And by page 2 of 356, that guy's going to feel pretty stupid. ("oh the hair was white all along? yeah well who cares"). Miura doesn't pull twists like that. If he wanted to go that route, it would have been Guts in Golden Age gear to accentuate what's happening. Otherwise this bizarre effect would be lost in confusion.

You're taking it too literally lol, obviously Guts isn't dressed like he was in the Golden Age or exactly the same but that's not the point, its more so that physically all the key signifiers of post eclipse Guts are absent (i.e. his eyes aren't shown, the white streak is absent, his scars and metal arm are hidden) in the mind's eye of Casca since thats how she last remembers him in the Golden Age (which is why I said her perspective from afar, we as readers obviously know he's not the same and Casca upon closer inspection can see the differences as well, its not unrealistic however that from a distance she'd see him how she last remembered him), difference of weaponry and armour/clothing notwithstanding. 

For what its worth, even her bubbled memories as Elaine show that she remembers his new armour and sword but his face along with other key post eclipse features are turned away from her except for his metal arm. The only example we have of her specifically reflecting on his face and body (again armour notwithstanding) are from the Bonfire of Dreams and their time together making love, maybe she does remember how he currently looks and Miura simply picked these for emphasis but its all pretty vague as of now.

Anyways, this still doesn't explain the cover, care to explain that?

Current Episodes / Re: Episode 355
« on: March 24, 2018, 05:02:23 PM »
Its a lil late for me to say this but I just noticed, where is Guts' white streak of hair? I'd be willing to say Miura deliberately obfuscated his appearance like a silhouette this episode to emphasize Casca's own perspective from afar (not knowing or seeing any of his scars and white hair until the next episode when her reaction to his new appearance is revealed, such as how his cape/cloak hides his metal arm) but his hair is also black on the cover for Vol 39 so now I'm not sure. It would be a strange mistake considering he worked on the guidebook around the same time which does feature the white streak on its cover, sorry for me rambling on about such a small detail (above all else Im just glad to see Casca back) but consistency matters a lot to me.

Edit: Someone on the Berserk reddit theorizes that the way Guts is depicted here is simply showing how Casca remembers him until they're up close (i.e. Golden Age Guts from a distance, Fantasia Arc Guts up close whose scarred body reminds her of the eclipse and Griffith's mangled body, makes sense) but that still doesn't explain the cover to me.

Current Episodes / Re: Episode 355
« on: March 20, 2018, 06:48:29 PM »
1) Casca's heart taking the shape of the Idea of Evil.

As Aazealh said, the Idea of Evil and Casca's heart are ultimately just both based off a conventional/realistic heart design so I wouldn't think too deeply about it but if the topic interests you, we did discuss the topic a month ago in this thread.

We mostly reached the conclusion that there's a thematic connection between her heart (due to the double helix) and the brand which by proxy means a loose connection to the IoE but key word is loose, nothing definitive (that we know of yet anyways).

Movies, TV, Books & Music / Re: Movies you've recently watched
« on: March 20, 2018, 05:54:13 AM »
Objectively, it's probably up there with Spidey 1, but that movie basically invented the modern Marvel movie and this is doing it for the umpteenth time, it's preceisely that fatigue you spoke of that underwhelmed me. Actually, it felt like a movie with no ambitions other than to showcase Spider-Man the character. It's just sort of hanging out with him for two hours, which is cool in its own way, but doesn't make for great drama. It also hurts that almost every set piece was reminiscent of one I've seen from all the other Spidey movies! Actually, what set it apart was him fucking up and falling and shit. That was good and would have added realism if the animation were a bit more convincing than Raimi's from over a decade ago.

Its true that Spider-man 1's influence alongside X-Men and Blade cannot be overstated, especially in regards to the MCU but I do think its aged pretty badly which I don't think is even necessarily due to its age seeing as how Spider-man 2 has aged perfectly fine (CGI aside), but rather due to it having a shaky script and questionable performances from Dafoe, Kirsten Dunst, Maguire as Spider-man, etc (his performance as Peter is fantastic but he does not pull off Spidey's quips, Im perfectly aware that he still makes them, the recent Raimi trilogy haters who claim he never made any are wrong but the fact that his quips are so forgettable to begin with speaks to a larger issue regarding the performance, his inflections sound insecure whenever he cracks a joke as opposed to how Spidey is in the comics where he hides his insecurity by acting overly confident behind the mask).

For what its worth, I do think it may have been deliberate seeing as how Raimi wanted to adapt the tone/feel of Lee + Ditko era Spider-man which would inevitably mean a sillier tone. In that way, its puristically accurate to 60s Spider-man (for better & worse) which I appreciate.

I mean, I feel like the semi-loud case against Maguire's Peter as off is pretty overstated and contradictory. He's plenty a smartass with the quips and like you said, if anything, they go overboard on how smart he is. Also, "his genius not being shown" is simply coded language for "organic web-shooters." =) Anyway, more importantly they did a good job creating a sympathetic and relatable cinematic interpretation of Parker that could carry a movie or three for the audience, which nobody has pulled off since. If Parker is supposed to be the kid reading the comic, Raimi/Maguire's version was certainly enough like the people watching the movies that it worked big time.

Garfield's didn't leave much impression and Holland's is on point, especially in Civil War, but we'll see if it amounts to anything besides him acting like a flustered Peter all the time because it was almost a bit much in Homecoming (I'm sure he'll become more badass as the character ages, and they have a real opportunity to develop him like no other). But right now I'm not getting the same strong sense of identity, for better or worse, that Maguire's certainly had.

I thought Keaton was good, but under-written/utilized. Despite the obvious cheese factor, Dafoe's Goblin is the only big screen Spidey villain that really measured up as a memorable adversary. He actually seemed like a real threat simply because he was actually threatening him and provided a real foil for Peter and Spider-Man. Doc Ock did that for Peter, but his cheesiness in the fights kind of clashed with that, whereas Dafoe was leaning into it so hard it worked. :ganishka:

Again I disagree, I don't actually mind the organic web shooters, thats not the only way to show him being a genius, in Spider-man 1 we spend about 15-20 minutes in high school before he graduates and in those 20 minutes he makes a mess in the cafeteria, beats up Flash, etc but we never see him act intelligently in an academic setting. We do see him in Spider-man 2 answering some questions with Professor Connors but not to any level where his intellect is clearly above average, that "Raindrops Keep Fallin On My Head" montage that follows soon after again depicts him as a doofus.

I won't get into Spider-man 3 and the Emo disco walk since thats beating a dead horse but I do think its accurate to say Peter's genius is only referred to in dialogue and never outright shown which always bugged me, yes having him build web shooters would immediately fix that to some extent but I don't think its necessary, in either case Raimi went overboard with Peter's goofiness, its an aspect of his character yes, especially in his early budding relationship with MJ but its overstated in the original trilogy. Webb's movies had the opposite issue in which Peter's intellect was shown well but his goofiness was understated to the point where it was hard to believe Garfield in the shoes of a high school dweeb.

I do agree however that Maguire was very sympathetic, if Im passing off as one of those people who suddenly started hating the Raimi movies (since that seems to have become a popular contrarian stance) then thats not my intention, they're great and you're right in saying Homecoming is derivative (I think that was inevitable for it being the 2nd reboot in under a decade) among other flaws (as much as I love Holland as Spider-man, one of my pet peeves is how they adopted some of the more annoying traits of teenagers like him bouncing all over his bed in excitement, it was cute and funny to open the movie with but the 2nd or 3rd time rubbed me the wrong way) but whats most important to me is the comic book accuracy and under such a lens Homecoming really tickled my fancy, it has some diversions from the comics (I really didn't like how Flash is a mean spirited rich kid instead of a jock, I don't want Flash to look like a kid I could bully on my own) but compared to Raimi and Webb's iterations I think it was the most well rounded depiction of Spider-man.

As of right now, I do think Maguire's Spider-man is a better written character (despite the flaws I have with it) but thats simply because he's had 3 films to evolve, Holland's character in my opinion is starting with stronger foundations to develop in future films so I think that he has the most potential that even after 3 films Maguire's Spider-man didn't have such as academic/school life playing a larger role instead of being glanced over (which holds true for both high school and university in Raimi's films).

If I may switch sides for a moment, my defense of that is this isn't supposed to be some perfect ideal iteration of Spider-Man (ahem, Spider-Man 2), but a working version that fits perfectly into and "lives in" the MCU, so he doesn't have to be all uncle Ben/"responsibility," because we all already know that, but he does need to have a relationship with Iron Man, etc.

You're right, everyone knows the bit and its not 100% necessary to develop the MCU so I can see why most would consider it redundant but I do think its a key aspect to his character that shouldn't be completely ignored, if only so that the film can work in its own right as a film, lets just assume for a minute that someone out there doesn't know about Uncle Ben dying, the film failing to address it in some meaningful way (besides him mentioning Aunt May got sad after his uncle died) that adds to his pathos means the film fundamentally lacks one of Peter's key motivators in life, we as an audience who are familiar with the 50+ year mythology are aware but an adaption shouldn't depend on supposed common knowledge to make short cuts.

As is, Peter's sole motivator in the whole film is to impress Tony which I find pretty weak, just 20 seconds of Ben's voice during the scene where Peter lifts up the rubble would have been enough imo so maybe Im nitpicking but I dunno, I think its pretty important.

Also on second thought I retract my statement of Amazing Spider-man 1 being complete crap, its an okay movie so I agree with your ranking (for the most part) and I wouldn't group it in with 3 and Amazing 2 like I did initially, its just somewhat forgettable aside from the budding romance with Gwen Stacy (which was adorable).

Current Episodes / Re: Episode 355
« on: March 20, 2018, 03:44:23 AM »
I think essentially pasting Casca's pre-awakening face on is missing the point that Miura is apparently attempting to convey a more dramatic difference here by alluding to what almost seems like a modern interpretation of her physical appearance from the Golden Age. One can't know for sure until we see more of her, but so far that's two out of two depictions heavily giving off that vibe.

I agree 100%, like I said, on its own merits I do prefer the edit if only because it caters to the latter Millennium Falcon Arc style that I tend to prefer (although I do think the simpler artwork of the Golden Age has a lot of its own unique charm) but in context to the story, I also suspect that Miura is deliberately making her appear more like she did in the Golden Age, comparing her reawakened state to panels like this results in more similarities than by comparing her to post Eclipse/"Elaine" era depictions so its very likely that Miura is being deliberate with the proportions of her eyes and face. Miura as always knows what he's doing so Im sure that for thematic purposes, its best she looks this way.

Current Episodes / Re: Episode 355
« on: March 20, 2018, 03:21:38 AM »
I remember hearing someone better educated on these matters make that connection before, but I don't have a source on-hand.) After all, if you are trying to create a style that plays up a character's expressiveness - which is what cartoons and animation do in general - you exaggerate their expressive features. In Japan, that's mostly the eyes.

Maybe Im off base and if I am, someone can correct me for being wrong but from what I know the main reason why manga and anime artwork tends to have such big eyes dates back to Disney being a primary influence on Osamu Tezuka who then popularized the big eye designs in Japan with his own franchises like Astro Boy. Manga and anime had existed before Disney but it wasn't until notable releases like Snow White and Bambi that 1940s/post world war Japan started adopting the convention of big eyes.

Saw this on reddit, concerning the new vs old art style (spoiler):

Both look fine to me, Casca's expression in the original looks more jovial and excited but her expression on the right looks more calm (albeit still happy), its hard to articulate. I do admit that as much as I love Miura's artwork, I do prefer the old art style and this fan edit on the right but to be fair if it was used in the episode itself, it would be too jarring in contrast with how she's looked these passed few episodes so Im glad the left/original one is ultimately what will be collected with said past episodes in a volume.

Current Episodes / Re: Episode 355
« on: March 20, 2018, 12:46:48 AM »
It's not that deep. Miura has been using this art style, since pretty much Falconia now. Bigger eyes, smaller nose, wider face. It's much more modern anime-esque, which doesn't surprise me, as todays series that use that style probably have an influence on him. One thing is sure for me though, the general art style looked at it's best late MF arc.

How much of that would you attest to being a style change for the sake of the arc vs him switching over from pen and paper to digital? Thats often the go to explanation I've heard from people as to why Guts and crew are sometimes off model compared to a couple volumes prior but I have no knowledge on the credence of this. It does seem pretty obvious to me that its switched to digital but Im skeptical on that being the main reason why the style has changed, Im guessing you'd agree that the change is voluntary?

Movies, TV, Books & Music / Re: Movies you've recently watched
« on: March 19, 2018, 10:33:04 PM »
I agree with the Marvel/Superhero fatigue being expressed here, it'll take a lot more for most Marvel movies now to impress me compared to the first phase since the formality of it all is really starting to make viewing each new film a repetitive experience, I do however disagree with you Griffith on Spider-man Homecoming, I think its one of the best Marvel movies in years (up there with Iron Man, the Avengers, Winter Soldier and GotG 1 imo) and debatably the best Spidey film yet since it felt the most true to his character (I'd have it tied with Spider-man 2, with Spider-man 1 being 2nd/3rd best and Spider-man 3, Amazing and Amazing 2 being all crap).

In the Sam Raimi movies they nailed the nerdy aspect to his character but overall Peter himself was too much of a doofus, they express that he's a genius but its never really explicitly shown, in Amazing they did a better job at portraying Spider-man's smartass attitude but Garfield as Peter was awful casting and didn't pass off as a guy who'd get bullied in school, too much of a pretty boy skateboarding hipster, at the very least they did demonstrate his genius level intellect but they immediately ruin it by having him do dumb things like leaving a camera with his full name etched onto it behind in the sewers near the Lizard. The only thing that positively stands out about the Amazing movies is Garfield's chemistry with Emma Stone.

In contrast, Homecoming shows a Peter whose an anxious teenager, has strong convictions (I loved the short montage scene where he does lil mundane things like save cats from trees and help old ladies across the street, demonstrates perfectly how he's the "friendly neighbourhood" Spider-man), struggles with his inexperience as a hero and every day school boy, his intellect is undermined by his dependence on Tony but I'd still say it balances the genius/doofus side to his character better than past iterations. Michael Keaton's Vulture was also one of the best MCU villains to date (not that that's saying much but still) and up there with Doc Ock as far as on screen Spidey villains go.

I have my issues with it like Iron Man being the key motivator for him to get out of the rubble rather than a memory of Uncle Ben or something (I wish Uncle Ben had more of a presence in the movie but don't get me wrong, I don't want nor expect another redoing of the origin, simply hearing Ben's voice in Peter's inner monologue rather than Tony would've been enough for me, Peter's infatuation with Tony undermines Ben too much in my eyes who should still serve a minor role in the MCU's first Spidey movie) but compared to recent Marvel films I had a much better viewing experience. Im biased though, Spider-man is my favorite light hearted hero (in distinction from my favorite heroes overall being Punisher and Ghost Rider).

Dr. Strange and Black Panther were good but borderline mediocre, just okay really and in Black Panther's case, extremely overhyped. I'm interested in seeing Infinity War since its such a large ensemble cast and Im a fan of the original Infinity Gauntlet storyline but I can't say Im super excited or anything, I don't have any expectations, I feel like reflecting on the 10 year build up in anticipation would only lead to me being disappointed in it as an adaption even if the movie itself ends up good on its own merits.

Movies, TV, Books & Music / Re: Albums for Desert Island
« on: March 19, 2018, 10:05:41 PM »
Hmmm thats a really tough call Griffith, for me the one artist I'd stick with (mostly due to how vast their collaborative contributions are in addition to their own stellar catalogues) would be a toss up between Kanye West, Babyface and Bootsy Collins, I honestly can't pick which one out of the 3, good question but its a tough one. My answer is bound to change but today's mood has me leaning towards the Yeezy god himself  :ganishka:.

NightCrawler's variation:

What You Won't Do For Love - Bobby Caldwell (A lil cheesy by today's standards but I associate it with a lot of memories and personal events)
Picture Of My Life - Jamiroquai
Happy Home (Original Unreleased Mix) - 2Pac (The version most have heard off of Until The End of Time is over produced glitzy clean crap but the original mix initially leaked through the Makaveli bootlegs is fantastic, so good that I actually got some lyrics from it tatted on my left arm; the following pic is like 3 years old though so its not as fresh anymore but it still looks good)

Movies, TV, Books & Music / Re: Albums for Desert Island
« on: March 06, 2018, 10:44:58 PM »
The Shining movie soundtrack

Oouff, the Shining is one of my favorite films and easily in my top 5 most replayed films but I dunno if I'd be able to handle the soundtrack while isolated on an island, I very well may go crazy. :ganishka: On its own merits though, it is a wonderful soundtrack.

I still feel embarassment-by-proxy when I hear the name Kissland. While I don't begrudge the Weeknd's transition from underground artist to pop artist (I'd rather these guys try to climb and evolve rather than settle), I can't say that anything he's done since his Trilogy work has really moved the needle for me. I think I've found about 1-2 tracks I like between his last 3 albums. The other day I heard one of his tracks from Madness playing throughout the goddamned grocery store. Now THAT was a sobering moment (now he's a real motherfuckin' Starboy) :ganishka:

I can see where you're coming from, I think Kiss Land is the closest thing we'll get from Weeknd to another instalment in the Trilogy aesthetic but its not as good as Trilogy all considering, I still think there's something special about that era of House of Balloons through Kiss Land though, I think its him at his most authentic and true to self. I like most songs off Beauty Behind the Madness and Starboy (Starboy and I Feel It Coming in particular appeal to me as a Daft Punk fan) but they are more generic and less unique to his character. Sometimes you see flashes of the old style in songs like Often but even then it feels compromised. Oh well, I'll still check out his upcoming releases but I doubt it'll ever be the same.

To bring it around again, I was probably 16 or so when I started to try the Beatles. And well... for whatever reason it just never resonated with me. Little from the 60s-70s era did. This is probably a result of the foundation of shit that I'd already built for my house of music. And I can't help but feel if I'd had a proper music education and exposure growing up, I'd have different ("better") tastes in music.

As someone who grew up along with alternative music, of course I love Nirvana. I encourage anyone else who does to read Heavier than Heaven, a stellar Cobain biography. But while I like the atmosphere and the place their sound occupies on the music history timeline, listening to those albums through has become a chore as I've gotten older.  :farnese:

Thats interesting, you never know how life will shape your tastes in art and media through circumstance. With me for example its sort've the opposite, Discovery was the first album I bought with my own money and since its a French House album, my love for House music then lead to me getting obsessed with samples which then lead to me listening to more 70s and 80s music that inspired the French House sound. Thats not to say I had great music taste as a child though  :ganishka: Listened to lots of post grunge butt rock and nu metal I'd be embarrassed to mention here (and of course no longer listen to).

To go full circle since I've mentioned post grunge, yeah I can understand why looking back on Nirvana it might feel like a chore to listen through, do you have an easier time listening through their MTV Unplugged set? I personally don't have trouble listening to Nevermind or In Utero but it definitely sounds dated for better or worse. In Utero in particular has always stuck with me as a piece of introspective art that in hindsight is almost impossible for me to detach from Kurt's suicide, I know it wasn't his intention with making the record and its hard for me to articulate this but there's like a dark aura surrounding the album which makes it very unique to me all these years later.

Movies, TV, Books & Music / Re: Albums for Desert Island
« on: March 06, 2018, 08:44:00 AM »
I should mention that thanks to Walter turning me on to The Weeknd back when he was releasing the Trilogy albums free I totally scored cool points with my student employees when I could identify his music back in the day before he blew up, "You know the Weeknd, David!?" That's right kids, sometimes I hear stuff that turns out to be cool, now back to very specific yet hugely played out 80's thrash metal for me.

Oh, Megadeth is the pure, uncut shit. You know, they'll never beat them on the charts or in the public consciousness, but they basically equaled Metallica in the 80's (YMMV), surpassed them for good in the 90's, and it's been no contest at all since the 2000s, and Metallica's my favorite band. Dave Mustaine lost every battle but has secretly won the war.

Twist my arm... the answer is it's both! Not a classic album but a non-embarrassing return to form(s) that kind of covers everything they've done/do. About a third of the tracks are fun thrashy throwbacks, another third meander into mid-tempo mediocrity, and the rest are ok rockers. "Hardwired" is their best straight ahead thrasher since "Dyer's Eve," "Atlas, Rise!" is a "Four Horsemen"/"Master of Puppets" clone, "Now That We're Dead" is basically a wannabe "Enter Sandman," "Moth Into Flame" is probably the album's best and most original, "Dreaming No More" is a super heavy successor to "The Thing That Should Not Be," "Halo on Fire" is very classic rock and maybe the proggiest offering, "Confusion" has some good riffs (the opening is totally Mario 3 airship music =) but is like some weird red state rock and Hetfield sings when he needs screams ("Disposable Heroes" it is NOT), "ManUNkind" is like a Load cut, "Here Comes Revenge" Reload, "Am I Savage?" is like another enjoyable Black Album reject, "Murder One" sucks (sorry Lemmy, they should have played it more like you), and "Spit Out the Bone" is the other standout track and pretty much a microcosm of their career, like a life in the day of Metallica. They're all listenable though because the main difference between this and the their output since the 90s is Hetfield has his voice back on this one and the production isn't fucked up trying some stupid gimmick.

Yeah its safe to say that House of Balloons, Thursday and Echoes of Silence are modern classics by any measure, they made a big wave in the underground music scene upon initial release, had a huge influence on commercial RnB (what people now call Alternative RnB) and nearly a decade later its still relatively popular and the music has aged incredibly well (which of course is mostly due to how many Weeknd copycats soon followed after and still go on today). What did you and Walter think of Kiss Land? Its often forgotten about since its not as good as Trilogy and wasn't as poppy and commercially successful as Beauty Behind The Madness or Starboy but I think its pretty underrated all considering.

In regards to Megadeth, my thoughts exactly, couldn't have said it better myself. Metallica may very well be the quintessential metal band in the eyes of many and at one point in time, they undeniably were but Megadeth has always appealed to me more for being as you say the pure uncut shit. Thanks a lot for the thorough review/analysis of Self-Destruct, I can tell you're quite passionate about the subject, metal isn't my go to genre but I respect it a lot as a casual listener so your attention to detail doesn't go unnoticed. I'll give the album a listen, I did like the 3 singles you linked so I'm optimistic despite their last few releases.

The Beatles - The Beatles
Nirvana - Nevermind
Queen - A Night at the Opera

Can't go wrong with any Beatles album but I've always been a Magical Mystery Tour kinda guy, good pick though, has some of George's best Beatles material.
I'm always hesitant to pick between Nevermind or In Utero, I ultimately went for In Utero but in all honesty Nevermind is just as good if not better, I think Nevermind flows a lot better than In Utero and probably has more well written songs but the songs that I do like on In Utero, I love way more than anything on Nevermind.
Damn it haha A Night at the Opera is brilliant, Im just now realizing thanks to your comment how much it would suck major ass to never hear Queen again while stuck on an island, still happy with my list but I didn't consider that  :ganishka:

Movies, TV, Books & Music / Re: Albums for Desert Island
« on: March 06, 2018, 03:40:47 AM »
I've mostly been indifferent/impartial towards Metallica over the years but I do like their early releases (so out of their catalogue, I'd agree with the ones you chose) and I love Megadeth. When it comes to metal I was always more into alt/prog metal like Tool and industrial like KMFDM and to a lesser extent Marilyn Manson. What did you think of " Self-Destruct"? (Again with the liberal use of ellipsis  :troll:), I haven't listened to it but I've heard mixed things about it, varying from it being much better than most of their recent releases and it being mediocre and non-comparable to their old work.

Movies, TV, Books & Music / Re: Albums for Desert Island
« on: March 05, 2018, 10:42:09 PM »
Oh wow, I wouldn't have guessed you for a Weeknd fan Walter, thats cool, Trilogy is definitely his best work so I can agree with that. I've only casually listened to Sigur Ros but I really enjoyed their album Meū Suū Õ Eyrum Viū Spilum Endalaust

Movies, TV, Books & Music / Albums for Desert Island
« on: March 05, 2018, 05:12:17 AM »
I'm sure some of y'all have already heard of this lil' game but if not, the idea is this. If you were stuck on a desert island with nothing but a fully charged phone/record player/or CD player, what would be the top 5 or 10 albums you'd pick to have with you for the foreseeable future? I'm curious as to what this community's tastes in music are.  :serpico:

I don't think the order really matters but feel free to go from least to most favorite or vice versa if you wish. If the album in question is a double or triple disc release then it can be counted as one album regardless of its length. Compilation albums or soundtracks are also fine.

For me, I'd go with... (in no particular order)

1. What's Going On - Marvin Gaye
2. Me Against The World - 2Pac
3. Discovery - Daft Punk
4. Pet Sounds - The Beach Boys
5. What You Won't Do For Love - Bobby Caldwell
6. G Funk Classics Vol 1 & 2 (double album) - Nate Dogg
7. Travelling Without Moving - Jamiroquai
8. Illmatic - Nas
9. In Utero - Nirvana
10. To Pimp A Butterfly - Kendrick Lamar

My honourable mentions include Kamasi Washington's The Epic, MJ's Off The Wall, Jon B's Cool Relax and Tyler the Creator's Scum Fuck Flower Boy, all extremely close to making my list but ultimately if Im only stuck with 10 on an island, they'd begrudgingly be omitted. As you can see, I'm mostly fond of Hip Hop, RnB and Funk.

Speculation Nation / Re: Casca & The Idea of Evil
« on: February 26, 2018, 12:09:00 AM »
Welcome to the forum SleepersWake  :ubik:

I agree that articulating the feeling such imagery and connotations give off is pretty hard and as you say grasping at smoke but in all honesty I think you've said what I was thinking better than I could say it myself.

Shootin' the Breeze / Re: New around here.
« on: February 24, 2018, 11:21:14 PM »
So if I understand this correctly, episodes are the immediate releases, collections of episodes comprise a chapter and collections of chapters comprise an arc, right?

Current Episodes / Re: Episode 354
« on: February 24, 2018, 10:05:53 PM »
Seven years? Wow. Iíve only been a Berserk fan for four years, and this still feels like a long-awaited moment for me. This is another turning point for the series, perhaps even exceeding Gutsí epiphany in the Conviction Arc in force of impact. Itís an exciting time for Berserk fans in general. I can only imagine how you guys who have been reading the series the longest are feeling.

I can only speak for myself with this but in all honesty I think the long waits between episodes and volumes is actually a factor in what makes Berserk so appealing to me, I understand that for a lot of fans the monthly release schedule and hiatuses can kill their hype and stagnate their overall interest in the series (I was the same way a couple years ago) but as I've gotten older I feel like I'm growing with the story and characters, it makes it more epic to me, knowing that the series began years before I was born, that I got into it in high school and that by the time it ends I very well may have a child or two to share it with. (albeit once they're old enough to handle it of course  :ganishka:)

Casca being awakened like this totally caught me off guard, I was expecting and willing to wait another 4+ years for it to happen so the day that I woke up and saw the episode, it didn't just make my day or week, its made my entire month. Its moments like this that let me know I can have faith in Miura because no matter how long it takes, he always delivers!

Latest podcast should be up tonight or tomorrow, folks. It's a good, long one.

Awesome, looking forward to it Walter. You, Aazealh, and Griffith (among others like Grail depending on the episode) always offer great insight so I'm sure the duration will be warranted.

Shootin' the Breeze / Re: New around here.
« on: February 24, 2018, 09:48:19 PM »
Without a doubt! I think thats a large factor in what makes this so exciting, not only have we gotten Casca back but we have an episode next month to look forward to, hopefully it'll continue focusing on Casca and not diverge back to whatever Rickert is doing or something haha  :ganishka:

Edit: Oh I figure I should tell you this (Walter or someone else inevitably will if I don't) but a small correction, immediate releases in Berserk are called episodes while chapters refer to Arcs ala the Golden Age, Black Swordsman, etc, its a common mistake though so no worries :)

Current Episodes / Re: Episode 354
« on: February 24, 2018, 08:17:16 PM »
I really donít have any insight to share. Itís been years since Iíve said anything here, or discussed Berserk at length, so youíll have to forgive me. Iím happy to see this forum is still living and breathing, and welcoming new strugglers! I really just wanted to peek my head in for once and share in this momentous occasion.

(Apologies if I overshared there  :farnese: or didnít share enough   :carcus::casca: )

No need to apologize man, we get it, this is truly a new benchmark in Berserk's story, I'm still in disbelief and feeling sentimental over this and I've only been into Berserk for about 7 years, I can't imagine what you and the others who've read it for nearly (or over) 2 decades must be feeling. Oh and welcome back to the forum :)

Shootin' the Breeze / Re: Hola
« on: February 24, 2018, 08:04:30 PM »
Welcome to the forum!  :ubik: I'm sure you'll enjoy your time here, the love for Berserk is quite unifying. How long have you been into graphic design?

Shootin' the Breeze / Re: New around here.
« on: February 24, 2018, 08:00:16 PM »
Hey man, long time since I've been active too, definitely want and will try to be in the future, especially with so many possible discussions around the billion story threads the series is layered with right now !

Welcome back to the forum! :guts: Agreed, Berserk's story has always been amazing but with Ep 354, I simply can't wait for what the future holds. I'd dare say now is the best time to become a Berserk fan or return to it (besides getting into it once its finished years from now).

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