Episode 380

This episode feels like it concludes this little Kushan saga that’s been going on since episode 373. Amazingly, nothing has really changed in all that time. Guts is still useless, Schierke is still on her way to find Casca, Silat is still somehow commanding the Kushan nation.

I find this enlightening because I think it reveals how very little the Continuation team knows of Miura’s plans for the story. Why show all of that stuff if it amounts to nothing? Well, because showing it was the point. They knew Guts’ group was supposed to meet with Rickert and the Bakiraka eventually. They also knew Rakshas was going to attack the Bakiraka’s stronghold. And… that seems to be it.

Both things were already obvious a decade ago, when volume 38 came out. They don’t require any insider knowledge. What we don’t know is how it would have happened exactly, and clearly neither do they. That’s why every single episode they’ve produced has been filled to the brim with errors and inconsistencies ranging from how the world works to how characters act and speak.

Shadows Die Twice

I have to address the fact the episode title is a direct reference to a video game. The titles have been awful every since the Continuation began, but this is a new low. Remember when this project started and they swore they would stay faithful to Miura’s vision for Berserk? It sounds like a joke now. That it’s a From Software game only makes it worse, because these developers love Berserk and have taken a lot of inspiration from it over the years. But now, with Kurosaki at the helm, the cycle is reversed. And it’s not just inspiration but a direct reference. It’s hard to articulate just how much it debases the series.

Daiba the athlete

In typical fashion, we open not with the scene where we ended last time, but with a six-pages-long recap. We see Serpico and the Tapasa fighting pseudo-trolls, then some of them burning (presumably from Farnese’s spell). Then we get a panel which, besides the soldiers’ spears having no blades, is notable because of Daiba’s weird posture.

It appears he’s in the process of falling down from his levitation, but he’s far too high for it to make sense, given that he’s very old and has a bad knee. He’d hurt himself doing that. In episode 341 we see him come down and floats down until he can touch the ground directly. A perfect landing from someone who’s no doubt perfected this technique.

I’ve seen some people mention the fact he’s only wearing one “slipper”. That’s actually the orthosis Erika gave him in Falconia, just badly drawn. I’d give the Continuation team props for remembering it, except… Daiba wasn’t wearing it when they left Falconia. Why is that, you may wonder. Did Miura forget it?

No. It’s because he was levitating and sitting in the lotus position. He couldn’t possibly do that with a metal brace that takes up the whole leg. So he removed it and it was left behind. All it takes to know that is read that scene. By the way, later in this episode Daiba is shown running at full speed down a flight of stairs, right behind the Tapasa. Makes no sense for an old guy that needs a cane and leg brace to walk.

After that, Farnese shares a moment with Roderick that feels out of place. Roderick thanks her for saving them, but her spell isn’t shown doing much, it’s mostly people killing the monsters. Besides, the real Farnese would likely be concerned about her friends in this context and especially Guts, who was left all alone, chained up and defenseless in a basement. And as a matter of fact, so would Roderick.

Magic nonsense

Daiba points out the scene outside to Serpico (weird choice) with a trembling finger. He’s wishful: “if only we could challenge the Falcon of Light with this light”. We see that the young magicians from the island are also casting the formation of the four cardinal points, but all together and apparently they’re straining to do it. This is baffling for a number of reasons.

First, the island’s magicians were said to be powerless. It never made any sense, but that’s what the Continuation asserted. Now they can use magic again for no particular reason. Oh but it’s only the youngest magicians and they can only cast that one spell, of course. The Great Gurus are still useless (and nowhere to be seen). They also apparently need to work together, even though that's not how magic works in Berserk.

Second, it seems the Continuation team has retconned this explicitly defensive spell, which creates a protective area, into a means of attack. It’s apparently being used to destroy the monsters proactively instead of shielding a zone so that they can’t enter it. I would call this a gross misunderstanding of its nature, but let’s be real here: the Continuation team just doesn’t give a shit.

Third, Daiba’s comments are completely stupid. He starts by saying they can’t have that “light”, referring to the spell. I imagine he means the Kushans specifically, because it’s being used in front of him. Then he says they could use it against Griffith if they did. That’s a really dumb idea and I seriously hope that’s not what they have in mind for the ending.

This is, again, a defensive spell, but more importantly it only works on ethereal beings. It would likely only affect apostles to a minimal extent (like by preventing them from healing as fast), and it would surely not be much of an issue for Griffith, the one member of the God Hand with a corporeal body. I guess someone on the team thought it’d be cool and ironic if “light” was used against the Falcon of Light? One thing’s for sure: this idea didn’t come from Kentarou Miura. Oh, and it's also odd for Daiba to refer to Griffith by the title the Holy See has given him.

Back to where we were

We get a scene of bloody Kushan civilians who scream at their victory (even though we didn’t see them fight) and Isidro comments on how they and the magicians have done a good job with a blasé look on his face. Puck replies (a rare occurrence these days) saying Guts has no part left to play. Then suddenly flies off. To where? Presumably to see Guts, but he’s not shown again. Then Isidro and Azan also run away towards wherever. This exchange is a mischaracterization for both of them, but it mostly strikes me as a way to rub salt in the reader’s wounds. “Oh yeah, Guts? He’s real useless huh?”

Speaking of Guts, we finally get back to where we were in episode 379. Rakshas gets to his cell and neatly slashes down the cell bars with his claws, cutting through them like butter. Guess that solves the door issue. I have to point out that those claws sure are sharp and hard to be able to go through solid steel like this. It’s hard to believe these are the same claws that were broken off by random Bakiraka goons two episodes ago, rendering him functionally impotent and forcing him to summon monsters to fight in his stead. But I digress.

What’s going on with Guts?

Speaking of impotence… The big deal is of course Guts’ reaction, or absence thereof. He’s happy to let Rakshas kill him. This is supposed to be the same character who, as a wounded and betrayed child, reflexively fought for life against wolves for a reason he couldn’t explain, because it’s in his nature to survive. The same character the Skull Knight called the “struggler” because he fights like hell, with all he’s got (yes that’s literally what it means in Japanese). The one who embarked on a one-man war after the Eclipse.

Well, it’s not the same character, clearly. I’m not going to go over the stupidity with the sword, the fact he hasn’t spared a thought for Casca or anything like that, first because I already went over it back then and second because it’s ultimately meaningless. The question is rather why the Continuation team is portraying him like that. Why they’ve turned him into a good-for-nothing, broken man (this includes his non-reaction as Silat berates him) and have kept him that way for practically 15 episodes.

My belief is the same it was last year: it’s all just a way to humiliate the character. Is it because it’s a cheap way to make things memorable, to elicit a reaction from the readers? Is it because it conveniently means he’s out of the picture most of the time? Or are they so misguided that they genuinely believe this is what Miura would have wanted? I don’t know. All I can say is that this portrayal is laughable. And that it feels like an affront to Miura and his legacy. Perhaps most critically, it doesn't involve any character development.

Of course, it’s expected by now. I’ve pointed out, issue after issue, how everyone else’s behavior, thoughts and dialogue have been out of character. But this is the protagonist we’re talking about. I bet a lot of readers could forgive a bad portrayal of side characters if the team really nailed Guts. Conversely, getting side characters right would be meaningless if they messed up Guts. And in our case, well all the characters are mockeries of themselves.

This leads us back to another question: what’s the point? Who cares about a continuation that’s utterly unfaithful to its source material? A good story is first and foremost a journey, not merely an endpoint. Even if Mori has an inkling of the ending Miura wanted for the series, the crap we’ve been getting for the past few years isn’t the way to get to it. At best, it has to be ignored. And really, at this point, I have absolutely no confidence they can satisfyingly deliver an ending that would faithfully convey Miura’s vision.

Rakshas’ pathetic end

Guts isn’t the only character to get trampled. Before Rakshas can do anything, Silat stabs him in the neck with both hands and with extreme force. Master assassin Rakshas, an apostle whose head famously “isn’t necessarily where it’s supposed to be” just got caught off guard and one-shot killed. Wow. After all, it’s not like he knew Silat was after him, right? Wait, he was actually running away from Silat, who was hot on his tail. Why did he even come to this dead-end? To kill a branded person? Really? It's all nonsense.

Not to meander too much, but in Falconia Rickert was his target, the Bakiraka were only there by chance and aided Rickert because he had something to offer. Then Rickert was the one who bazooka’d his ass. You’d think if that was the last thing he recalled, he’d be going after Rickert of all people. But what do I know.

He appeared in this city for no reason and had no clue about anything, and ended up dying without really fighting anyone and without even transforming into his apostle form. A truly ignominious death for a major apostle, and to add insult to injury he just instantly dissolves into a black liquid, leaving his mask floating in a pool. Beyond this pathetic end, I can’t help but reiterate that Rakshas was made of fabric, he was one with the cloak he wore, that was his gimmick. This liquid shadow bullshit came out of nowhere and directly contradicts everything Miura had established about the character.

I guess it’s supposed to be related to the black pools from which the pseudo-trolls sprang out, which also makes zero sense and will likely never be explained. Funny story but the day before the episode came out I made a joke in the chat that when he died he’d dissolve into nothingness like an enemy in a video game. It seemed like the lamest death off the top of my head at the time and was similar to Danan and the others just fading to dust, but I can’t say I expected it to actually happen.

Is Rakshas really dead?

Now, that final shot of the mask can be seen as a little ambiguous and therefore one might wonder whether this is really the end. Could Rakshas spring back to life? I mean, it’d be just like in Sekiro so why the fuck not at this point. Of course that’d make it Shadows Die Thrice but they’re really not above that sort of inconsistency. They’ve already completely changed the character anyway, breaking all sorts of established canon in the process.

But at the same time, this kind of lame death, without any real meaning and that serves no real purpose… that feels very much like their style. Much like how Rakshas didn’t even have any interaction with Guts in the end, despite what we were expecting. It’s incredible when you think about it that they said he had already died and was being mysteriously revived just as they made him burst out of a guy, gave him all new powers that amounted to nothing, and then killed him off a second time without a real fight.

By the way, Rakshas spits blood from the tear-shaped holes on his mask after he gets stabbed. Only problem: these aren’t holes, they’re just painted on. The mask only has three holes for the eyes. You can see proof of that when Silat cuts it in half in volume 38. Oh and he calls Guts “sacrifice” in Katakana when he first sees him, but this is how evil spirits’ speech is written because they can’t talk properly. An apostle would use the proper word. This is just so sloppy, so amateurish. And don’t get me started on him telling Silat “good job” as he dies, or calling him “young master”. *sigh*

Silat gets hysterical

The third character being mistreated here is Silat, but it’s less offensive and more puzzling. Silat is extremely angry that Guts was resigned to his fate. He grabs him by the collar and has to be dragged away screaming by the Tapasa before he can (presumably) harm him. That’s how pissed off he is. But… why? I mean it’s not like Guts could have done anything, chained like that to the wall. What was he supposed to do? Beg for mercy? Whimper? Grimace at the enemy?

Beyond that though, why would Silat care so much? Surely he already knows the state Guts is in. A big display was made of it when they captured the Sea Horse. Why should his behavior suddenly change? Because Rakshas is an apostle? But… Silat doesn’t know about Guts’ particular enmity towards apostles. He really knows very little about Guts’ life. Is Rickert supposed to have briefed him about all that stuff? Even if he had, this reaction would still make no sense. Not to mention that this is not at all how Silat behaves, he’s the cool and collected type.

Beyond that, how does Silat even know Guts was resigned? Did he read his mind or something? What if Guts was planning something, just waiting to make a move? How would he know? The whole situation is completely irrational, down to Daiba’s frantic command to the Tapasa that they get him off Guts. Why would he care, and since when do the Tapasa obey him and go against their master?

Really from beginning to end this is just a pile of contradictions and misconceptions. It evokes Roderick’s ridiculous frenesy when Guts, who had to be carried aboard the ship because he wouldn’t walk on his own, somehow locked himself up in a room without a lock on the door. Or Isidro’s pathetic outburst when the Kushans dragged him out and he fell face first on the floor. Because it serves no purpose in the story, my guess is these characters are meant to embody the reader’s frustration with Guts, furthering his humiliation in the process.

On that note, why is Guts in a jail cell again, instead of a hospital bed or something? Oh right, that’s again because it’s more humiliating for the character. The excuse of him being dangerous, even though he’s catatonic and without the armor or any weapon, never made any sense. It’s all about shitting on him. And I imagine he’ll still be rotting in that cell next episode, even though by now it should be clear he’s no threat to anyone and should be cared for. I guess it’s to punish him for not being raving mad? :shrug:

All this for that

Moving on, we get two pages of Rickert and Erika hugging each other. I guess the Continuation team really does try to fix oversights by adding them in future issues, but that really isn’t quite the way to do it. And of course, Erika’s characterization is also all wrong here. Erika is a go-getter, not a whiny little girl. She showed no particular trauma when recounting their arduous journey to Luka in Falconia, and later when she got captured by Rakshas, it’s because she went down to help Rickert. She’s also the one who fetched the bazooka before they left. That’s the kind of girl she is.

Then we get to Schierke, and from her corporeal body, we see her body of light flying up and through the World Tree, towards… Falconia. Once there, she says she’ll definitely find Casca. This is actually comical because it really took her all this time and all that effort just for this? Yeah Casca’s in Falconia, who would have guessed! This is the kind of thing that Miura might have gotten done with a single panel from someone like Danan, Gedflynn or the Skull Knight. Because the issue isn’t so much finding where she is but actually getting her back.

Oh and what was she doing with Guts previously, when she took his hand in episode 376? Have they forgotten about that already? The way they depict this also clearly shows her leaving her body, meaning she was there while the battle took place and didn’t do shit. I don’t think we’re meant to read anything into it, but they clearly didn’t think enough about what they were drawing.

What’s next?

So we’re mostly back to where we were ten episodes ago. Next episode might focus on Schierke searching for Casca in Falconia, maybe witnessing some scenes or even interacting with her. Meanwhile, Silat will be getting command of the Kushan clone army now, and I wouldn’t be surprised if it’s already done next time we see him. I guess a next step would be meeting Falconia’s troops on the way to the city itself? It’s apparently a long ways off.

That leaves us with Guts. Was Puck flying towards him? Will they have a talk or something, maybe a scene duplicated from volume 1? I’d take that, but I also won’t be surprised if it never leads to anything. Either way, it still feels to me that it’s Schierke who’ll eventually get him back on his feet simply by telling him Casca’s waiting for him in Falconia (yes, even though it’s technically not the reason he’s depressed).

To get back to the Rakshas puddle, maybe he will indeed return as a boogeyman then, only for Guts to squash him this time because he’ll have regained his spirit. And the Dragon Slayer will exorcise his shadow reviving powers or whatever bullshit they’ve cooked up. That's pretty damn stupid, but is it the right kind of stupid that the team usually goes for? Hard to say. I still think they might just move on completely. Man, this is exhausting.
 
About why they're so wary about Guts, I think it's because of the BEAST. He's like a walking nuke, if you touch him wrong the BEAST might go off. If so that's probably why Daiba is so frantic about stopping Silat, too - to prevent his precious young master from triggering the beast rather than just to protect Guts.
 
The Continuation team has killed Rakshas twice already, and both times it was stupid and lame. Even if he's revived yet again, there's no reason to believe the third time will be any different.
My reasoning is that since they are reviving him for stupid reasons, I wouldn't be surprised if they would do it one final time for the plot, to actually have some effect, with the other deaths just being intentional "cat scares"
Guts isn't wearing the berserk's armor right now, so what you're saying doesn't make any sense.
Yep, what I'm saying makes no sense, but nothing the continuation does makes any sense:carcus:. I have no clue how or why, but I really wouldn't put it past them
Guts has been relying on his friends since volume 23. He relied on them to heal Casca's mind in the Corridor of Dreams. Nothing new here.
You're right, but the continuation doesn't even let him think about casca, its all "sword sword sword". I think what we're seeing if you look through the bullshit is a mishandling of the original idea of a full transition from relying on the sword to relying on the friends
Griffith currently lives in a giant city built in his image, filled with all of mankind, where everybody worships him. I don't think loneliness is going to be his undoing.
It can be filled with all of mankind, but they are not friends, they are subjects. Just like the band of the hawk were not friends, they were subjects. It seems to be a very important subject in the end, "the power of friendship". I don't think it's about loneliness, I think it's about meaninglessness
 
About why they're so wary about Guts, I think it's because of the BEAST. He's like a walking nuke, if you touch him wrong the BEAST might go off. If so that's probably why Daiba is so frantic about stopping Silat, too - to prevent his precious young master from triggering the beast rather than just to protect Guts.

I know you're saying this to make fun of the Continuation, but... That makes no sense given that he's not wearing the armor, not to mention they couldn't possibly know about his inner demon. :sweatdrop:

Even after everything I can't quite believe their reasoning would be that broken. Especially when you consider that they're treating Silat like the crazed one here.

Yep, what I'm saying makes no sense, but nothing the continuation does makes any sense:carcus:.

Fair point!
 
To live is to Hope, despite the numerous errors committted recently by the Berserk Team. Atleast Pucks depiction urgency in rushing over to Guts and suddenly remembering him, might provide some inkling that someone is being consistent with the source material (not too big of an evidence). Puck is very underrated by the fanbase in terms of the impact made on Guts life. Saw through his closed-off edgy coping act and nudge him in the right direction to better cope with his trauma. Providing emotional support and companionship, in the darkest of times, helps to humanise Guts who deliberately seeks isolation, but as we know this approach just makes Guts more monstrous. Against this monsterization of Guts, Puck acts as a moral compass, making sure to remind guts to be empathetic and compassionate. Also Puck has saved Guts life plenty of times, through Healing. Puck probably understands Guts the best, so at this moment the best to get through to him.

Guts ordeal at the end of the episode, has to be the biggest kick to the face. Even the dialogue was completely out of character. Though to many people, his reactions make sense because he's only Human and anything else would be unrealistic, even if so does it really the change the fact its out of character. I'm sure the writers thought the same, it's just fan-fiction at this point. Fan-fiction thats not even compelling.
 
Amazing post as always Aazealh, I have only one suggestion for it, and is to incorporate in it what Puella said before about the "The Falcon of light" as in the future we will be using your posts to remember everything wrong or good( :ganishka: ) with this continuation and what Puella pointed out, show how little this Team understands about Berserk
 
Puck is very underrated by the fanbase in terms of the impact made on Guts life.

Well he's not underrated here. No use hypothesizing what the entire fanbase thinks based on social media posts. Anyway, the Continuation has really mistreated Puck so far, it's been as bad as for Guts. I can't say I'm holding my breath for a change in that regard.

Amazing post as always Aazealh, I have only one suggestion for it, and is to incorporate in it what Puella said before about the "The Falcon of light" as in the future we will be using your posts to remember everything wrong or good( :ganishka: ) with this continuation

Good point, I'll add a line. I try to be exhaustive but I can't put truly everything in there or it'd be unreadable.
 
I don't know if anyone has pointed this out, but this apathetic Guts caricature...Could it to some extent be Mori's way to project his grief about Miura's passing?

I surmised as much back when it started. That was quite a while ago, though. For them to keep doing it like this, it's got to be more than just an expression of Mori's grief IMHO, especially since he's not very involved in creating the episodes (according to him). Maybe something on Kurosaki's side... In any case, it's not faithful to the character.
 
I surmised as much back when it started. That was quite a while ago, though. For them to keep doing it like this, it's got to be more than just an expression of Mori's grief IMHO, especially since he's not very involved in creating the episodes (according to him). Maybe something on Kurosaki's side... In any case, it's not faithful to the character.
I don't necessarily have a problem with the idea of Guts changing or getting crippled by despair (temporarily probably let's be real), but the way it's being done feels clumsy and careless. Miura took characters through a lot of changes which were sometimes controversial and criticized but it still distinctly felt like he knew what the hell he was doing and what he was going for, and I had faith things would pay off. I'm following the continuation out of hopeful curiosity but I think I got all the closure I'm going to get or need out of Miura's last issues, which were perfect IMO.

At this point like others I'm starting to seriously doubt that Miura shared very much with Mori or even that they were all that close. The plotting feels like someone's guess at what might have happened based on what came before. I know Miura was intensely private and his death was sudden, but the continuation's sudden drop in quality - particularly its dramatic tone and pacing, with its baffling twists and confusing character changes - really make it seem like Miura never intended for things to go this way, or even actually told anyone anything at all.
 
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I completely believe that Guts falling to despair for a bit after everything he spent half the series working towards was upended by his nemesis in one night was something Miura had in the cards. It's a believable turn for his character. But under Miura's penmanship, there's no way it would've dragged on for so long and made Guts seem just sooo pathetic, not to mention never mentioning Casca once. Much like Skellig collapsing, they had some vague notion of what was going to happen next from some offhand comments from Miura and just depicted it in the worst way possible. I get the feeling the remainder of this project will be the same, if not worse as we get further and further away from where the real Berserk left off.
 
I don't necessarily have a problem with the idea of Guts changing or getting crippled by despair (temporarily probably let's be real), but the way it's being done feels clumsy and careless.

Well sure. Guts having doubts or feeling crushed is nothing new. It's happened before. As you point out, the problem is that it's awfully depicted. And not just that, but it doesn't lead to any character development... It's pointless, repetitive and gratuitous.

changes which were sometimes controversial and criticized

I know that wasn't your point, but I don't recall that and I've been reading the series for quite a while.

I know Miura was intensely private and his death was sudden, but the continuation's sudden drop in quality - particularly its dramatic tone and pacing, with its baffling twists and confusing character changes - really make it seem like Miura never intended for things to go this way, or even actually told anyone anything at all.

To keep it simple, I think the Continuation team (Mori, the assistants, the editors) grossly overestimated how much they knew about future plans while also deeply underestimating how sophisticated Berserk's story and characters are. It can be felt in the way they always emphasize the complexity of the artwork, as if that was all there is to it. Manga is really quite a specific artform, and Miura was uniquely gifted when it came to it. That's not something that can be replaced.

Beyond that, I've talked about it a number of times before but Miura wasn't a hermit or anything like that. He gave many interviews over the years and was always very candid. But he was also not the kind of man who compromises with his work. For example he's on the record saying he didn't let his assistants do much of anything on Berserk because he was too much of a perfectionist. And yet he was also a pretty humble guy, which may have been lost on someone like Mori. Long story short, I think it's irrefutable at this point that they're fumbling in the dark.

I get the feeling the remainder of this project will be the same, if not worse as we get further and further away from where the real Berserk left off.

Very likely, unfortunately. The ending itself hinges on Kurosaki's interpretation of what Mori believes Miura intended, based on memories from 30 years ago. Not the best odds.
 
I completely believe that Guts falling to despair for a bit after everything he spent half the series working towards was upended by his nemesis in one night was something Miura had in the cards. It's a believable turn for his character. But under Miura's penmanship, there's no way it would've dragged on for so long and made Guts seem just sooo pathetic, not to mention never mentioning Casca once. Much like Skellig collapsing, they had some vague notion of what was going to happen next from some offhand comments from Miura and just depicted it in the worst way possible. I get the feeling the remainder of this project will be the same, if not worse as we get further and further away from where the real Berserk left off.
I think you're 100% right. These probably where real plotpoints, but that's all they are, plotpoints. A story doesn't just get told through plotpoints, it needs to be fleshed out, detailed, logical and true to character. The sad reality is that all they really have is those plotpoints and essentially railroad from point A to B, while the journey should be more important than the destination. They simply don't have the same story telling talent as Miura (obviously). You can't fault them for not being Miura. But even then, the way the plot progresses reminds me of amateur webtoons. Alas
 
Berserk was made from the heart and clearly drew from something deep and personal since Miura basically chose to make it his life's work. I always kind of thought that someone else trying to pick up his work from hazy memories of an old conversation was a stupid idea on its face.
I know that wasn't your point, but I don't recall that and I've been reading the series for quite a while.
Nothing major, just some comments online I recall not always being favorable, about things like Chestnut Puck or the new entourage of characters or the whole boat thing (not to mention some of the extremes depicted). Not implying there was ever really a hate wagon for the manga. Also, I wasn't aware that Miura did that many interviews so thanks for pointing that out, but it still seems odd to me that such a highly-regarded author isn't/wasn't more of a public figure in the age of the internet and conventions. I usually don't have to look that much for information about others successful authors with all the promotion and whatnot. Maybe it's my western expectations or the writers I like or something.
 
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I usually don't have to look that much for information about others successful authors with all the promotion and whatnot. Maybe it's my western expectations or the writers I like or something.
I know your felling, but when you get to know a mangaka's life, that even for Japanese standards, are very though, you will understand why there are many "anti-social" or anonymous author.

Miura got to a point on his life that he had his own studio, and he managed his own work schedule and at some extent the release schedule, so why not have control over his personal life without being harassed by the public if he had that chance? At least one good thing between so many work hell.
That's also probably why Berserk is not as know as other Mangas published by "famous" magazines that prioritize quantity over quality.
 
Nothing major, just some comments online I recall not always being favorable, about things like Chestnut Puck or the new entourage of characters or the whole boat thing

Oh, you mean complaints from online morons. Well sure, there's people who complained when Guts got the armor, too. Not exactly worth paying attention to.

Also, I wasn't aware that Miura did that many interviews so thanks for pointing that out, but it still seems odd to me that such a highly-regarded author isn't/wasn't more of a public figure in the age of the internet and conventions.

Keep in mind his career started in the 1980s. He himself joked that he wasn't a "modern mangaka" because he wasn't on social networks, but it's frankly not that surprising. He was an author, not a movie star. And more simply I think he just wasn't interested in it. Can't say I blame him!

I usually don't have to look that much for information about others successful authors with all the promotion and whatnot. Maybe it's my western expectations or the writers I like or something.

Well we do have a bunch of his interviews translated here on the forum...

That's also probably why Berserk is not as know as other Mangas published by "famous" magazines that prioritize quantity over quality.

That's mainly because it's a series for adults and not for children. The audience is mechanically much smaller.
 
Oh, you mean complaints from online morons. Well sure, there's people who complained when Guts got the armor, too. Not exactly worth paying attention to.

Keep in mind his career started in the 1980s. He himself joked that he wasn't a "modern mangaka" because he wasn't on social networks, but it's frankly not that surprising. He was an author, not a movie star. And more simply I think he just wasn't interested in it. Can't say I blame him.

Well we do have a bunch of his interviews translated here on the forum...

That's mainly because it's a series for adults and not for children. The audience is mechanically much smaller.

Good points, and I admit haven't been that diligent about checking the forum over the years, I'll be checking more of that stuff out*. I guess his privacy was a privilege of success he took advantage of and also probably a result of Berserk taking so much work.

*The more I read the more this whole continuation initiative as spearheaded by Mori seems like a grift. I hope I'm just being cynical and it's actually only a case of reach far exceeding grasp. Did Miura himself ever speak much about their friendship, incidentally? I remember some stories about his school years and early Berserk, but that was a very long time ago. Sorry if I'm treading old ground, I'm trying to catch up**.

**Found this thread from Rorschach https://www.skullknight.net/forum/i...akashi-hoshi-discussion-on-chica-umino.15701/ but links are dead. Old but does someone remember? Seems interesting.
 
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**Found this thread from Rorschach https://www.skullknight.net/forum/i...akashi-hoshi-discussion-on-chica-umino.15701/ but links are dead. Old but does someone remember? Seems interesting.
The links do seem to be dead, but you can still see it through web archive:

 
It’s maddening, they drag out the dumbest, most clearly improvised elements and glide over everything of substance.

That's because they don't know how to handle the important stuff yet need to make it look like there's a narrative, some action, developments, etc. That's why they drag it out uselessly. It doesn't help that it's designed by committed.
 
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