@Aazealh I don’t know if you understand Chinese. This is the berserk fan I mentioned in the email who quit the forum. He and his team have a lot of information related to berserk and Miura.《剣風伝奇》/《烙印勇士》 復活!烙印戰士連載再開的喜悅與擔憂
本視頻發布於2022-06-08,搬運君遲到了;; 請大家理性看待新連載,也為栗子頭繼續做視頻加油打氣呀~(以下想法為栗子頭的觀點,完全出於對作品走向的關心與擔憂,請大家作為劍風粉一起理性看待討論~)你看三浦就是看原汁原味的漫畫原著,你看森恒二就是看二次咀嚼完加工後出來的東西。這就是我對續作的看法,所以我說後者肯...m.youtube.com
@Aazealh I don’t know if you understand Chinese. This is the berserk fan I mentioned in the email who quit the forum. He and his team have a lot of information related to berserk and Miura.
Only forum members who understand Chinese can translate.Sorry, I don't speak Mandarin at all unfortunately, other than to say "hi", "thank you" and "I love you" (the essentials ). We do have forum members who speak it however.
I can personally speak about the important details in the video.
When hakusensha announces that he will reserialize berserk, remember that he is not doing it for berserk fans, but just to make money and squeeze out the last bit of value from berserk. At the same time, it also forcibly stopped serializing another Miura legacy, Duranki, because Hakusensha was unwilling to spend time cultivating this work. And Duranki was what Miura most wanted studio gaga's assistants to do during his lifetime. Duranki was a work that Miura himself specially prepared for them to improve their abilities and experience. It is easier to continue writing, and the original outline setting is more detailed. Duranki can be infinitely extended through studio gaga story.Because Miura has not established a clear main line for Duranki, it can continue as a road drama or historical drama, and there is basically no possibility of being criticized. If you are lucky, you can get good reputation and sales.Sure, if you want. It's always interesting to get a glimpse into other communities. That being said, we are quite knowledgeable about this whole topic ourselves, as you can imagine.
At the same time, it also forcibly stopped serializing another Miura legacy, Duranki, because Hakusensha was unwilling to spend time cultivating this work. And Duranki was what Miura most wanted studio gaga's assistants to do during his lifetime. Duranki was a work that Miura himself specially prepared for them to improve their abilities and experience. It is easier to continue writing, and the original outline setting is more detailed. Duranki can be infinitely extended through studio gaga story. Because Miura has not established a clear main line for Duranki, it can continue as a road drama or historical drama, and there is basically no possibility of being criticized. If you are lucky, you can get good reputation and sales.
Like I said before, these are the views of the Chinese fan in a video he didn't post to YouTube (I haven't finished posting yet). And he knows very well what Hakusensha is like.That's a mischaracterization of what happened with Dur-An-Ki. It wasn't just created by Kentarou Miura, he did the writing and storyboarding for each episode. What his assistants did was the "inking" part, meaning the final drawing you see on the page, only... Miura also touched it up after they were done. So saying it could have continued fine without him is simply false. It just shows a lack of care for Dur-An-Ki.
Let me first introduce the situation in China. Conservative fans here disapprove or dislike Mori and Studio Gaga's approach to the sequel. But for Hakusensha, none of us hate him. Miura hoped to expand Berserk's influence during his lifetime, but instead of adopting Miura's opinions, they continued to drag him down. In this way, Hakusensha missed the best opportunity. If berserk does not serialize YA, but operates it as a magazine and jump-start marketing and promotion model, sales will be better. Hakusensha owes Miura a lot. Without Miura, Hakusensha would be a waste. As for Mori and Studio Gaga, they are not only puppets of Hakusensha, but also scapegoats.That aside, I find it an oversimplification to blame Hakusensha for everything. They're a corporation and their objective is to make money, that's a given. But Mori and the assistants weren't coerced into participating. According to Mori, it's the assistants who asked him to let them continue Berserk, and he was happy to oblige. They're the ones producing the Continuation, and it's Mori who said he would guarantee its faithfulness. As far as I'm concerned, they fully share the blame.
Miura hoped to expand Berserk's influence during his lifetime, but instead of adopting Miura's opinions, they continued to drag him down. In this way, Hakusensha missed the best opportunity. If berserk does not serialize YA, but operates it as a magazine and jump-start marketing and promotion model, sales will be better. Hakusensha owes Miura a lot. Without Miura, Hakusensha would be a waste. As for Mori and Studio Gaga, they are not only puppets of Hakusensha, but also scapegoats.
In 2022-23, those conservative fans and I thought we were fighting alone, until I met all of you here at skullknight.net. To be honest, I really feel powerless during this period. I envy you people for having a fan website that has been operating for at least 24 years, but we don’t.
This is very strange. You think the main responsibility lies with Mori and Studio Gaga, but we think the main responsibility lies with Hakusensha. But no matter what, I respect your decision.Maybe something's lost in translation here but this sounds like uninformed nonsense to me.
Another thing, berserk is actually a banned comic here. Because of the sexual and violent elements in it, berserk animation resources and comic resources are difficult to find. You can’t see berserk animations on major video platforms. Even if you can, those violent and bloody clips and sexual clips have either been deleted. Or it will be mosaic. (If you want to find resources, you have to find your own way. In order to read berserk comics, I can only connect to a VPN and use Google Chrome) What’s even more ridiculous is that if the Chinese translation of Japanese comics in China also involves violence or nudity, it will also Prohibited. This is China’s very ridiculous review system.I sympathize with you, although there's not much to be done. We just look at the continuation objectively, sifting through to see if there's anything of worth among the chaff.
Aaz,The person you should sympathize with the most is not me, but those Berserk fans who are older than me. In fact, they feel more uncomfortable than me. Seeing their beloved works being tarnished is equivalent to their most cherished treasure being tarnished.I sympathize with you, although there's not much to be done. We just look at the continuation objectively, sifting through to see if there's anything of worth among the chaff.
Except that pretty much everyone here aren't "young people", pretty sure we know our right from wrong, were not toddlers.Don’t use TikTok. That stuff has poisoned the minds of many young people
That's great, that proves that your ability to think independently has not been affected by the weapons produced by the CCP.(Because I have seen that many young people are affected by this thing, especially some young people in my country and Taiwan. I originally thought that someone on your website was affected, but it turns out that no one was affected.)Except that pretty much everyone here aren't "young people", pretty sure we know our right from wrong, were not toddlers.
It’s great that you haven’t been affected by TikTok. Anyway, my parents were affected and said I didn't keep up with the times. (I know exactly what tiktok is like)I personally refuse to use FM Radio, I don't trust these newfangled technologies.
After Miura's death, I once imagined a scene: Guts, who is no longer affected by the berserker armor, and Casca, who has overcome his psychological shadow, embrace each other again.
I don't know what the two of you think of this idea of mine, and I don't know if Miura ever thought of such a scene in his lifetime. I'm thinking that if Miura did design it this way, it would have been a very touching scene.