Hmmm, bit disappointed by the switch in perspectives. I really wanted to see what was in store for Guts and Casca, but it looks like we'll have to wait a while for that. And it's a short episode too at 15 pages, but then again, the last one ran a pretty lengthy 24 pages, so I guess it all balances out in the end.
That aside...even if it did disappoint me, I'm still interested in seeing where this is leading to, which seldom ever happens whenever a story disappoints me. We're seeing what's going on in the Griffith camp, getting a more hands-on look at the world outside Falconia, and getting some (more) firsthand evidence on how utterly unlivable it has become for humanity. I'm really digging the giants' designs, how they're all improvising various things for armor. One guy is using a door for a shield, another is using a rooftop as a helmet, and another is using a whole cuirass as a codpiece
. And the king is fully decked out in what looks like dragon bones. I can't wait for the day when we see one of those beasties in action.
However, it's Sonia that's standing out to me. She's always had this look of bubbly, childlike excitement about her, but now she looks very serious for once. It can't just be because she suspects the giant king has something up his bony sleeve. Is something about the encounter with Rickert troubling her, as Squiddot said? Are her unrequited feelings for Griffith starting to seriously frustrate her? Or what? Guess we'll find out soon.
That aside...even if it did disappoint me, I'm still interested in seeing where this is leading to, which seldom ever happens whenever a story disappoints me. We're seeing what's going on in the Griffith camp, getting a more hands-on look at the world outside Falconia, and getting some (more) firsthand evidence on how utterly unlivable it has become for humanity. I'm really digging the giants' designs, how they're all improvising various things for armor. One guy is using a door for a shield, another is using a rooftop as a helmet, and another is using a whole cuirass as a codpiece
. And the king is fully decked out in what looks like dragon bones. I can't wait for the day when we see one of those beasties in action.However, it's Sonia that's standing out to me. She's always had this look of bubbly, childlike excitement about her, but now she looks very serious for once. It can't just be because she suspects the giant king has something up his bony sleeve. Is something about the encounter with Rickert troubling her, as Squiddot said? Are her unrequited feelings for Griffith starting to seriously frustrate her? Or what? Guess we'll find out soon.

Yeah, you should be sorry. Because this is actually exactly how you create an engaging narrative storyline. Having two sides you switch from is a very classic literary technique (used to great effect in sci-fi classics like Dune or Hyperion, for example), and switching as a new crisis occurs, but back to something else that's also very big, is how you end up with readers that spend their whole night reading because they were so hooked they couldn't put the book down. I mean, it's an established fact that Miura's a master storyteller, but even putting that aside, this is not some outrageous new thing no one's ever done before. In fact it's been done before in Berserk, too.